Turn, turn, turn

I’m back, back, BACK! After an unreasonably long pause, here is some GDR deco I stumbled upon in June 2020, when I returned to the Luftschiffhafen in Potsdam ( you might recall my post about a mosaic in the same area). It’s a sports complex located on Lake Templin and was previously used by the NVA – the Armeesportklub (ASK) ‘Vorwaerts Potsdam’- and the Volkspolizei as a training site. It later became a sports school – the Potsdamer Kunstturnhalle- and hosted athletics competitions. This lovely logo & lettering decorated the otherwise plain exterior (oh Rauputz!). When it was built in 1961, the Turnhalle was the most modern of its kind in Europe, kitted out with all the latest gear. Some of the Potsdam university students who later used it went on to become Olympic champions, including Holger Behrendt, champion in Seoul in 1988, Bernd Jäger, who invented a somersault for his routine that was then named after him, and most interestingly, high bar champ Wolfgang Thuene who later fled the GDR. He went on to become the only gymnast to represent both East and West Germany in international competitions. I digress….

I’ve used the past participle when referring to the building, because whilst researching its history today, I was very sad to discover that it was demolished in March of this year. Here’s a link to a clip from the demolition. It features the logo and lettering being destroyed, so avoid watching if you don’t like seeing great GDR deco go to waste!

Some of the original equipment in the hall – still rings with an interesting history- was thankfully saved from the wrecking ball, which has been detailed in a nice article in the Tagesspiegel. I’m not sure what’s happened to the sculptures in front of the building, but imagine they may either have gone to the Deutsches Historisches Museum’s huge depot, or ended up at the DDR Kunstarchiv in Beeskow. Apologies for the dodgy quality of the photos – I took them on my phone and am in need of a new camera…

Lebe Wohl, liebe Turnhalle!

Dach in the day

This building is located in the grounds of Schloss Schmerwitz, a crumbling landhaus and former home of the Zentrale Schule für Kampfgruppen (ZSKG) Ernst Thälman, near Wiesenburg, Fläming. The Schule was a paramilitary organisation which trained ordinary working SED party members in the art of modern warfare during their lunch breaks or after work. A bit like a hardline socialist version of the UK’s Territorial Army. I assume this building also belonged to the ZSKG because it’s located directly opposite the Schloss. Much of the complex and its surroundings are now occupied by the Bildungszentrum Schloss Schmerwitz, a vocational training centre, and a retirement home. I wonder if any of the residents were students at the military school?

I’ve already featured one of these waved-shaped roofs –  known as the ‘VT-Falte’  orVT Faltendach‘  – in another post.  I liked the contrast between the dilapidated country manor, with its elaborate, picturesque garden and the once ultra-modern GDR structures.

I took a peek behind the gaps in the net curtains (see below) and was glad to see a fully intact GDR-era interior, complete with fake wood panelling and 1960s chairs as well some fantastic fixtures and fittings. Next time I’m there, I’ll try to get inside to take some pics. The hall’s location (in the grounds of a stately home and surrounded by a lot of abandoned buildings) means it’s very vulnerable to demolition. As Prussia 2.0 continues to throw off the yoke of Communism, nothing is safe. Well, architecturally-speaking at least.

Here’s Schloss Schmerwitz in its full glory, incase you’re curious…

And here’s a link to a cyclist’s account of his trip to the area in 1990, after the fall of the Wall, but before the GDR was dissolved. The translation isn’t brilliant, but the text still makes for fascinating and entertaining reading. The pictures are great, too.

Through the looking glass

These coloured glass tile windows are ten a penny in Brandenburg, but every time I see one I wish I had a house in the country/dacha/local community centre with one on the side. The example above is from a house in Schlamau, and the larger wall window pictured underneath is from a building in a complex of largely abandoned GDR buildings in Schmerwitz. I’ve included more images of the building and the surroundings in the next post.

Brick by brick


It’s not a very exotic example of GDR design, but it’s interesting looking, and that’s reason enough for this wall to be included here. I like the fact that instead of simply piling the bricks ontop of each other, whoever designed it decided to arrange thems with gaps, making it less monolithic and more decorative. It’s just a wall behind a railway station, and they didn’t have to do it. But they did. You’ll find it on the time-capsule-esque Lichtenberg street mentioned in the post below.


Flower Power


I found these flower-shaped bricks on the entrance to a building in the  GDR-tastic Buchbergerstrasse (formerly Eckertstrasse/Oberweg) Lichtenberg. I can’t find any information about who designed them, but have seen the same design on other buildings.

The building dates from the 1980s and now home to the ‘Berlin Rockhaus’, which rents out rehearsal rooms to musicians. The interior was partially renovated in 2000, but a look at the Rockhaus website suggests that it still has a strong whiff of GDR about it. It’s probably worth checking out, as is the street, an industrial estate which backs onto Bahnhof Lichtenberg. It looks like it’s remained largely untouched (unsullied!) by developers since the Wende. My kind of place, then!



Animal Magic!

I stumbled upon this amazing mural in the Gesamtkunstwerk that is Tierpark Zoo in Friedrichsfelde. The zoo has featured rather heavily in this blog, due to the abundance of fabulous East German design within its walls.

This mural decorates the wall of a small pavilion/shelter & easily overlooked if you’re not looking out for it. I’ve been unable to dig out any provenance info, but am going to check out a book about art in the Tierpark by its one time director Heinrich Dathe, which may provide some insight into its origins.
These pics, taken on a dingy day, without a flash and in a hurry, don’t really do the mural justice, so it’s worth going to check it out ‘in the flesh’. It’s especially worth visiting Tierpark now, as its magnificent wildcat house Alfred Brehm Haus (built 1956-1963) is set to undergo ‘environmentally-friendly’ renovation, which despite the fact that the Haus is protected, will invariably mean the loss of some of its original features.

The statistics show….

…that if it’s East German public art, it’s probably not long for this world. This is a metal sculpture on the side of the condemned Haus der Statistik on Otto Braun Strasse.

It’s already been removed (see below). Which means you’ll have to make do with the pics above. Not really the same though, is it?

Mensch!

As promised, here are some images of Walter Womacka’s mural ‘Der Mensch dass Mass alle Dinge’ (Man, the measure of all things) being removed from the side of the Ministerium für Bauwesen in Breite Strasse last year.

The mural was mounted on the front of the building by Womacka and his students from the Kunsthochschule Weisensee (where he was rector) in 1968. It consisted of 350 copper panels covered in ceramic paint.

In summer 2010, Berlin city council announced that the building was due for demolition. It couldn’t find a home for Womacka’s mural (which is a whopping 15 x 6 metres) and was threatening to bin it, until WBM Mitte housing association stepped in at the last minute and agreed to cover the costs of removal and storage. It did so allegedly because Womacka had been one of its tenants since the mid-80s. WBM Mitte also owns the Haus des Lehrers on Alexanderplatz, which is decorated with Womacka’s iconic mosaic frieze, ‘Unsere Leben‘ (Our Life).

The mural was removed on 4th/5th October 2010. Each of the plates was taken off carefully and lowered down very unceremoniously in an Ikea bag. They were then packed into wooden crates. I expected an audience, but there was no one there, just me, a foreigner with a crap camera, snapping away. It was a bit of an undignified ending for the mural. However much of a stubborn old GDR apologist he was, I’m glad that Womacka didn’t live to see it happen.

The Womacka society had attached a series of posters to the surrounding fence, announcing the ‘Day of the Removal'(!) which included a biography and a list of his works already destroyed since the Wende, as well as the protected & endangered survivors. I was shocked to discover the relief on the Haus des Reisens on the list. No GDR era art, it seems, is safe, unless it’s already survived a renovation (see the mosaics on the Haus des Lehrers & Cafe Moskau).